New book: Brand Equity Planning with Structuralist Rhetorical Semiotics, George Rossolatos

press release george rossolatos brand equity planning with structuralist rhetorical semiotics

Brand Equity Planning with Structuralist Rhetorical Semiotics

ISBN: 978-3-86219-706-4 (print)
978-3-86219-707-1 (e-book)
Author: George Rossolatos
Release date: February 2014
Pages: 895
Publisher: Kassel University Press

 

 

 

Available for preview and purchase @
http://www.uni-kassel.de/hrz/db4/extern/dbupress/publik/abstract.php?978-3-86219-706-4

Publication objectives
Brand Equity Planning with Structuralist Rhetorical Semiotics furnishes an innovative conceptual
model and methodology for brand equity planning, with view to addressing a crucial gap in the
marketing and semiotic literatures concerning how advertising multimodal textual elements may
be transformed into brand associations, with an emphasis on rhetorical relata as modes of
connectivity between a brand’s surface and depth grammar. The scope of this project is interdisciplinary,
spanning research areas such as brand equity, structuralist semiotics, textual
semiotics, visual and film semiotics, multimodal rhetoric, film theory, psychoanalysis. The
proposed connectionist conceptual model of the brand trajectory of signification is operationalized
through a methodological framework that encompasses a structuralist semiotic interpretative
approach to the textual formation of brand equity, supported by quantitative content analysis with
the aid of the software Atlas.ti and the application of multivariate mapping techniques.

About the author
George Rossolatos is an academic researcher and marketing practitioner, with
experience in advertising, marketing research and brand management. He holds a BA
(Hons) in Philosophy (University of Essex), an MSc in Marketing (Manchester Business
School), an MBA (Strathclyde Business School) and a PhD in Marketing Semiotics
(University of Kassel). He is the founder of the semiotics consulting agency
//disruptiVesemiOtics// and editor of the International Journal of Marketing Semiotics
(http://ijmarketingsemiotics.com/). His research interests rest with effecting inter-textual
cross-fertilizations between marketing, rhetoric and semiotics, also informed by
disciplines such as phenomenology, psychoanalysis, cultural studies.

Contact
georgerossolatos123@gmail.com
Brought to you by //disruptiVesemiOtics//

International Association for Visual Semiotics (IAVS)

aisvlogoAISV-IAVS
The International Association for Visual Semiotics (IAVS) has a new website, http://aisviavs.wordpress.com, which includes a lot of present and historical information, links to download the proceedings of some conferences, contents of the journal Visio, and much more. It has also a blog sector (the rightmost tag of the site) were news are posted. If you wish to receive the information that is posted in the blog in your e-mail on a regular basis (call for papers, conferences, publications, etc.), please click on the tab “+ Follow” that appears at the bottom-right of your screen, write your e-mail address and sign up. Then, you will receive an e-mail saying “Follow International Association for Visual Semiotics”, and you simply accept it (“Confirm Follow”).
La Asociacion Internacional de Semiotica Visual (AISV) tiene nueva pagina web, http://aisviavs.wordpress.com, que incluye mucha informacion actual e historica, links para descargar las actas publicadas de algunos congresos, contenidos de la revista Visio, etc. Tambien tiene un sector de blog (en la solapa derecha del sitio) donde se publican novedades. Quienes quieran recibir en su correo electronico la informacion que se publique en el blog (anuncios de congresos, publicaciones, etc.), pueden picar la solapa “+ Follow” que aparece en la esquina inferior derecha del sitio web, escribir la direccion de correo electronico y picar “Sign me up”. Recibiran por e-mail un mensaje que dice “Follow International Association for Visual Semiotics”, y simplemente tienen que aceptarlo (“Confirm Follow”).
L’Association internationale de sémiotique visuelle (AISV) a un nouveau site web, http://aisviavs.wordpress.com, qui comprend un grand nombre d’informations présentes et historiques, des liens pour télécharger les actes de certaines conférences, le contenu de la revue Visio , etc. Il possède également un secteur de blog (la balise la plus à droite du site) étaient de nouvelles sont affichées. Si vous désirez recevoir l’information qui est écrit dans le blog dans votre courriel sur une base régulière (appel à communications, conférences, publications, etc.), s’il vous plaît cliquer sur l’onglet “+ Follow” qui apparaît dans le coin inférieur à droite de votre écran, écrivez votre adresse e-mail et inscrivez-vous. Ensuite, vous recevrez un e-mail disant: “Follow International Association for Visual Semiotics”, et il vous suffit de l’accepter (“Confirm Follow”).

Launch of the International Journal of Marketing Semiotics (IJMS) VOL.I

IJMS LOGO

www.ijmarketingsemiotics.com

We are pleased to announce the launch of the first issue of the International Journal of Marketing Semiotics.

The mission of the International Journal of Marketing Semiotics is to constitute a reference point in state-of-the-art academic research in the field of marketing semiotics, by enhancing the relevance of semiotic theories and methodologies across the entire marketing mix, with a dual orientation towards furthering existing theory, while safeguarding managerial saliency.

Marketing semiotics is currently a discipline in rapid development, with a recent, yet resourceful scholarly history. The major challenge for marketing semiotics over the past twenty years has been to prove its credentials amidst a heavily fragmented and multi-perspectival landscape that is indicative of the current status of qualitative marketing research. Confronted with the not necessarily conflicting agendas of disciplines that have managed to make inroads into marketing theory and practice and which have been catapulted to mainstream research streams, such as anthropology and ethnography, semiotics has been faced with the challenge of proving its credentials and its ability to furnish unique perspectives on existing marketing issues, while also unearthing latent research needs.

We consider the inaugural issue of the International Journal of Marketing Semiotics as being foundational, with an intent to promote scholarly research in all of the 4 or 5 P’s, by drawing on the rich conceptual and methodological armory of various semiotic schools of thought. We are not aiming at rewriting marketing in semiotic terms, but at demonstrating how distinctive research areas and practices that have or have not as yet been tackled by traditional marketing scholarship, may be thought through and elaborated semiotically. At the same time, as the merits and the practical relevance of marketing semiotics must be highlighted, we opted for hosting practitioners’ viewpoints along with academically oriented papers in an attempt to demonstrate that marketing semiotics may only thrive through a dynamic interplay between theory and practice.

In the light of the above, Göran Sonesson’s essay Two strands of rhetoric in advertising discourse: A cultural semiotic account kicks off the issue with a sweeping account of the cultural nuts and bolts of advertising discourse, by drawing on such divergent strategies as those of Absolut Vodka and IKEA, while taking a detour through metaphorical transfers between burgers and jeeps. By examining the various parts of rhetoric and how they developed throughout the millennia, culminating in the two pillars of contemporary rhetoric and rhetorical semiotics, that is Perelman and Olbrecht-Tyteca’s New Rhetoric and Groupe μ’s rhetorical treatises, and by combining rhetorical with cultural analysis, most notably the strand that derives from the Prague School of semiotics, the author issues a plea for further research in cultural semiotics with view to deepening our understanding about the often silent, yet resonant and occasionally conflicting argumentative underpinnings of advertising discourse.

Cultural analysis of advertising messages continues in the paper by Evripides Zantides and Evangelos Kourdis Representations of children in food advertisements in Cyprus: A sociosemiotic perspective that furnishes an outlook on the structural components of Cypriot print advertising targeted to children (and/or their parents), while showing how local and global cultural values are reflected in the employed advertising executions by local and multinational brands. By pursuing a largely sociosemiotic perspective, while taking into account the relevant marketing literature and paying heed to inaugural structuralist texts that spawned extensive cultural semiotic research, the authors delve into how children are represented in print ads, while deconstructing salient facets of the modes whereby representations of the intended target-audience are formed, from hair-color to typographical features.

Semiotic cultural analysis and interpretation of advertising messages is further expanded by Jennie Mazur in her paper IKEA: Ego and its Alter in inter-cultural communications, who adopts an inter-cultural perspective in marketing communications, while focusing on how IKEA managed to take by storm its intended target-audience in the German market by leveraging its concept of not necessarily Swedish swedishness. While drawing on Sonesson’s model of Ego and Alter culture and on an extensive list of analytical categories for dissecting ad texts, she demonstrates how the company’s indubitably clever advertising strategy that built both on embedded cultural mores, but also on an invented notion of Swedishness that brought forward novel stereotypes, attained to consolidate in the existing consumer ethos through a humorous and occasionally self-ironic discourse. An intensive analysis of 48 IKEA commercials spawned three communicative territories that matched different phases of the deployment of the brand’s communication strategy in the German market, while highlighting, most interestingly, how the invented stereotypes in IKEA’s ad films not only managed to catapult the brand to a leadership position in the German DIY market, but to create a whole new ethos, including the adoption of the cultural practice of throwing Christmas trees off windows during St. Knut’s day.

By further exploring the contribution of rhetoric in making sense of distinctive modes of ad textual configuration, George Rossolatos in his paper An anatomy of the multimodal rhetorical landscape of the world’s most valuable brands puts forward the //rhetor.dixit// model, which aims at furnishing a concrete methodological platform for analyzing and interpreting the multimodal rhetorical structure of ad filmic texts. Amidst the ongoing dialogue as to whether rhetorical analysis in the light of multimodal texts should stop at the level of rhetorical operations or drill down to individual figures, adapted in such a manner as to account effectively for the particularities of the visual mode, but also for verbo-visual interactions, //rhetor.dixit// follows the second route, while addressing the needs of a largely viso-centric discourse. The propounded model that draws on an extensive corpus of ad films from the world’s most valuable brands (based on BrandZ 2012), combines content analysis with the aid of atlas.ti with an interpretive approach. The author puts forward three novel rhetorical figures (accolorance, reshaption, pareikonopoeia) in an effort to account for the bespoke configuration modes of ad filmic texts, while furnishing a novel methodology for conducting rhetorical analysis of advertising filmic texts, by dissecting and coding ad films segment-by-segment, according to uniformly applicable criteria. In addition, the model provides a string of useful statistics that emphasize the strength of co-occurrence of one or more figures in the same filmic syntagm(s), while offering a coherent perspective that combines verbo-visual rhetorical figures with argumentation strategies.

Moving on to the practitioners’ corner, Marcie Connan and Crystal Sarantoulias of the DIGInsights semiotic agency guide us through how archetypical analysis of brand personality may yield alternative and more credible positioning territories for brands, by drawing on a case-study from the home repair market. By combining a brand storytelling approach with actual consumer research that aimed at gauging consumers’ identification of different design propositions with brand personality features, the company managed to single out the most appropriate archetype for their client brand and reflect this appropriately in their value proposition.

Last, but not least, Cinzia Ligas and Fausto Crepaldi of the Lux agency  introduce the 8th P through their Semiomarketing approach that aims at unlocking the unconscious mechanisms whereby perceptions about fashion and luxury objects are formed. To this end they recruit their ‘warpframe’, among others methods, which is intent on dimensionalizing the narrative structures that are responsible for conditioning addresses’ perceptual mechanisms. Warpframe, a semiomarketing technique used to optimize video communication, is made up of ten items that have to be taken into account before producing a storyboard or writing a script, viz. identity, relationship, style, signs, codes, figures, roots, roles, balance and sub-limen.  The authors show how narrative structures condition the 8th P, perception, through an analysis of Regina’s advertising.

CALL FOR PAPERS IJMS VOL.II

If you are an academic researcher or an agency in the field of marketing semiotics and you wish to contribute to the International Journal of Marketing Semiotics, please send your papers to:

journalmarketingsemiotics@yahoo.com

grosolatos123@myway.com

The closing date for submission is May 30th 2014

For further details visit http://ijmarketingsemiotics.com/call-for-papers/

New Book – //rhetor.dixit//: Understanding ad texts’ rhetorical structure for differential figurative advantage

rossolatos

Title: //rhetor.dixit//: Understanding ad texts’ rhetorical structure for differential figurative advantage

ISBN: 978-1492259695

Author: George Rossolatos

Release date: August 2013

Pages: 188

Available for purchase (full-color, paperback) at: http://www.amazon.com/dp/1492259691

 

 

Download your free complimentary ebook copy @ (readable with mobipocket)

http://bit.ly/17CfJaH

 

Publication objectives:

This book was put together over the course of the past three years and is the outcome of the author’s publications in the multimodal advertising rhetoric research field and projects that were undertaken with the employment of the //rhetor.dixit//©  model. It features four chapters that span different, yet interlocking aspects of ad texts’ multimodal rhetorical configuration and culminates in a practical guide for the analysis of the verbo-visual rhetorical structure of TV ad texts, based on the unique methodology of the //rhetor.dixit//©  model on offer by //disruptiVesemiOtics//. //rhetor.dixit//: Understanding ad texts’ rhetorical structure for differential figurative advantage neither seeks to cover exhaustively issues in any of the traditional fields of concern to the discipline of rhetoric (an impossible endeavor, indeed, within the contours of a single book), nor to address all issues on top of the current agenda in multimodal advertising rhetoric. Its mission is to present key facets of current research in multimodal advertising discourse, largely dispersed and spread out in multiple disciplines, including semiotics, in such a manner as to enable the reader to get to grips with the benefits that stem from employing a content analytic approach for the ongoing management of the modes of rhetorical configuration of advertising texts. The combination of an interpretivist approach with the methodical outlook yielded by content analysis affords to transform multimodal rhetorical analysis of advertising texts from a theoretical enterprise geared towards making sense of how meaning emerges through the figurative language of advertising to a systematic method for managing advertising textuality, in such a manner as to enable practitioners in marketing related disciplines (e.g., account planning, marketing research, brand management) to actively manage how brand meaning is generated through distinctive modes of rhetorical configuration. The managerial orientation of the //rhetor.dixit//©  model is intended to enhance understanding as to how a brand’s intellectual capital is configured and, moreover, to point to directions whereby what I call a brand’s figurative first mover advantage and differential figurative advantages may be furnished to a brand’s discourse. The systematic understanding of a brand’s distinctive modes of rhetorical configuration is not just a ‘nice-to-have’ add-on in a metrics dashboard, but a prerequisite for managing brands as constellations of figurative elements and modes of connectivity among figurative elements, which are part and parcel of a brand’s textual essence. 

On Youtube: Eero Tarasti lectures on music history

The lectures by Professor Eero Tarasti, University of Helsinki,  on music history are now available in the youtube, entitled “Music History: Style Periods and Aesthetics”. The lectures (7) deal with classical composers, such as J.S. Bach. W.A. Mozart, Ludwig van  Beethoven and Richard Wagner; their main works are analyzed at piano, and  connected to other arts and philosophies of their times.

Lectures can be found in the adress:

http://www.youtube.com/playlist?list=PLqDV6lYVnPRvHTHxhKMSPPt-iNDVb-U0D

On Youtube: Eero Tarasti lecture course on the “European semiotics” and a roundtable about his theory of existential semiotics

The lecture course on the “European semiotics” given by professor Eero Tarasti (in English) at the Helsinki University in the autumn semester of 2010  is available  now at Helsinki University Youtube:

http://www.youtube.com/user/universityofhelsinki#grid/user/3331D87FB229972D

Moreover, the roundtable about his  theory of existential semiotics in Paris, Institut finlandais, in the autumn of 2010 as well  (in French),  can be looked at:

http://www.youtube.com/watch?v=OFw_KkByXDw

The Elephant’s Memory. In search of a pictorial language

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